I was interested in exploring a game format that engaged with the passing of time, and the experience of reading. A different line of text is displayed each minute over a 12-hour period. It should be played by reading a minute or two, leaving and returning. The numbers do correspond to some kind of order, which might lead to some clearer resolutions.

Inner is an interactive sculpture that encourages the audience in reflecting on its own body awareness and the research of our identity, our inner self. The audience imprints its own inner self on the musical structure and light variations, through the interaction with the sculpture by touching heart rate sensors. The music makes the sculpture and its different materials resonate giving it a new identity.

DACHHU is a video artist who works with projection and live image manipulation. He works collaboratively with local audio and live performance artists as a technical specialist. His work has included video mapping buildings in Leicester's Cultural quarter, live video mixing for well-known DJs, stage and lighting design and live VR events. He is currently employed as a performance technical instructor at DMU where he has just finished studying his Masters in Digital Art.

Sam Topley is a sound artist from Leicester, UK. She works with textiles to create handmade electronic musical instruments and interactive sound art work, including giant pompom musical instruments, knitted or 'yarnbombed' loudspeakers, and electronic musical instruments with e-textile interfaces.

Johnny McJohnston is an audio-visual, digital artist living and working in Leicester. He uses programming, software, and hardware to achieve interactive art installations, audio-reactive 3D visuals, and engaging audio-visual pieces.

Leila Houston is a multi-disciplinary artist currently working on the project 'Encrypted Sounds of Wellbeing.' Supported by Arts Council England, the work looks at wellbeing using Maslow's Hierarchy of Needs Chart and partly, our current situation in light of the global pandemic. Leila will re-imagine and reappropriate the chart as an installation, using interactive digital technologies, recorded discussion and participatory drawing. She is currently providing online workshops with two groups at Charnwood Arts alongside Artist James Chantry - to inform the piece; there will be a sharing of thoughts, interactive digital inventions and conversation that will feed into the final work. The final installation will be exhibited later this year at Fearon Hall, as a collaboration with the groups and other participants she has worked with.

James Chantry is an artist and PhD candidate. His work and research focusses on; queer identity, the supernatural and technology. He explores and reveals coded meaning through archival material and literature, in particular; ghost stories, mediumship and their queer social and political considerations.

Christina Wigmore is currently studying a textile design MA at DeMontfort University. Her work uses different light sources projected through everyday objects and woven materials to create surface pattern for textiles. This mixed media collaboration with Sean Clark takes inspiration from the skilled women weavers that made the computer looms for the 1960s Apollo spacecraft computers, and birds reclaiming nature during the 2020 lockdown. Sean's LED looms have been woven into nests of wire and tree roots with light and sound added to give the piece movement.