Camberwell MA08

Where entities recompose. Are they complete? Contained within or scattered. How do their constitutive parts form and relate to one another? How do those different entities cohabit within a same space? Is there such a thing as 'a perimeter of intimacy'? Within a family, how does this distance between bodies develop in time (grow or shrink) and why?

Tiphany Salza
MA Drawing
lamlec@free.fr

Wherever I am I always carry a camera with me. My photographs explore the concept of "transit", the situation of not staying and not having arrived yet. Transit means "to go through", "trespassing borders", "progress". My practice-based research focuses on visualising details, visual encodings and borders of my surrounding.

Birgitt Schlauderer
MA Digital Arts Online
master@pictographie.de
www.pictographie.de

Philip Smiths' work is concerned with space, object and architecture. Primarily expressed through an ongoing engagement with drawing, this work examines observed and imagined spaces whilst employing the found surface of used and discarded paper - a surface that seems to carry its own history and narrative.

Philip Smith
MA Printmaking (Part-time)

Miniature worlds is a fantasy/fictional take on the power of magnification. It is the idea of hidden worlds concealed within everyday objects. The animation takes the form of a digital picture book where the viewer can control which world they dip in and out of on their interactive journey.

Tara Smith
MA Digital arts Online
www.t1ara.com
tara@t1ara.com

The awareness of things past derives from two distinct but often conjoined traits: antiquity and decay. I have continuously been inclined towards searching and capturing familiar objects and places from the unfamiliar environment I am in, to incorporate into my work. A key element in my recent works revolves around emphasizing the beauty of decay symbolizing the memories of the absent and the deeper meaning of the present. I aim to portray this meaning through the technique of layering.

Preeti Sood
MA Printmaking

The incidental becomes the intentional. Public surfaces are exposed to a multitude of marks in the form of paint spillages, scribbled symbols, and graffiti. As a curator rather than author of these marks, I process this visual information through print practices to reproduce these neglected, overlooked surfaces of our surroundings.

Daniel Speight
MA Graphic Design (Part-time)
speight_d@yahoo.co.uk
Professional Preparation Postgraduate Award
Arts and Humanities Research Council