Nemeton now has a page on Facebook. Help keep this site alive by becoming a 'fan' and spreading the word.

I found a copy of a Web site for a collaborative project I did in 2003 as part of 'Year of the Artist'. 'Fragments of Identity' can be found at https://archive.seanclark.org/fragments/index.php. Pictures from the installation are on my Flickr page.

In the late 1990s I created a Web site for dub band Zion Train who were on China Records. "WobblyWeb" was filled with links to informative and bizarre sites selected by the band together with odd facts and general strangeness. Cuttlefish Multimedia still runs WobblyWeb for the current band - although it is now much more focused on dub music! The screen-grabs on this page were recovered from the archive.org "waybackmachine".

Nemeton has been restored to its former glory. In addition to the orignal Shamen site there is also a copy of William Latham's 1997 Web Site and Birmingham Frequencies from 1997. This blog will be used to post information about future updates and developments.

After a lucky find on an old hard disk I have been able to re-upload a complete version of Nemeton - The Shamen's Web site. I've given the site a bit of a tidy in order to remove broken links, but it is pretty much as it was when The Shamen split in 1999.

Resonance was an early digital arts group involving Geoff Broadway, Noel Douglas and Sean Clark. Geoff maintains an archive of some of our work on his Web site.

'Flow' was and installation by Geoff Groadway and Sean Clark which took place at the Q Gallery in Derby in 2000. It explored elements of personal change and transformation through a continued interest in the creative possibilities of the oral-history document and experimental moving image and sound techniques. A record of the installation is now available.

I've uploaded an archive of pictures taken at the Solar Eclipse festival near Lusaka in Zambia in 2001. I took them while touring with Zion Train.

One more piece of work from the dusty hard-drive of my old iMac. 'Persistence of Vision' was an exhibition I did about Victorian optical toys. On the Web site there is an interactive version of a Phenakistiscope.

I've found a copy of the Web site that I did to support the 'Birmingham Frequencies' CD-ROM that came with the Higher Intelligence Agency / Biosphere album of the same name. To quote the introduction text:

"Birmingham frequencies is a record of an event which took place in Oct '97, within the sublime circular rhythms of Birmingham's modern architectural classic - The Rotunda. the second best loved structure in Birmingham after King Kong."

It was a great event to be involved in and I still think the music and multimedia work stands up to this day.