Camberwell has a well-established tradition of printmaking as a specialist activity and is renowned for its excellence in its delivery. The diversity and interdisciplinary nature of media available within contemporary printmaking, driven by continuing rapid technological developments, invites new dialogues with the reflective practitioner and poses particular questions for the artist interested in exploring their ideas through the issues and potential of print.
Printmaking is committed to the development of the creative practitioner within a broad definition of the subject that is essentially open to challenge and individual interpretation. The programmes of study are designed to place the practice of printmaking in both a contemporary critical context and in a wide historical perspective. The acquisition and development of technical skills, critical thinking, contextual and professional knowledge are seen as interdependent elements and students are encouraged to investigate and reconsider assumptions underlying the applications of autographic processes and new technologies.
Stuart Daniel Rose
This art work is called the beheading of Charles, the work relates to my interest in the British Civil War of the 1600s. The work's image originates for Van Dutch's print of Charles. This print was not completed, and has be changed to show the true side of Charles. To do this I looked at the war of the Worlds by H.G Wells and the cautionary tale that lies behind this story.
Stuart Daniel Rose
MA Printmaking (Part-time)
Philip Smith
Philip Smiths' work is concerned with space, object and architecture. Primarily expressed through an ongoing engagement with drawing, this work examines observed and imagined spaces whilst employing the found surface of used and discarded paper - a surface that seems to carry its own history and narrative.
Philip Smith
MA Printmaking (Part-time)
"LOST REMAINS"
The awareness of things past derives from two distinct but often conjoined traits: antiquity and decay. I have continuously been inclined towards searching and capturing familiar objects and places from the unfamiliar environment I am in, to incorporate into my work. A key element in my recent works revolves around emphasizing the beauty of decay symbolizing the memories of the absent and the deeper meaning of the present. I aim to portray this meaning through the technique of layering.
Preeti Sood
MA Printmaking
Ryo Yamagiwa
My project aims to present a notion that my identity is wandering around London. An idea that my self knowledge is changing as my experience of this city changes, at the same time, images and texts I am developing are kind of self portrait at this point in time.
Ryo Yamagiwa
MA Printmaking
ryoyamagiwa@hotmail.co.jp
He Yingying
These works are telling the story about studying at Camberwell College of Arts with figurative and narrative drawing on the etching plates. It is represents the passion and enjoyment of making art in the college.
He Yingying
MA Printmaking
yingyingbox@hotmail.com