MA Printmaking
Camberwell has a well-established tradition of printmaking as a specialist activity and is renowned for its excellence in its delivery. The diversity and interdisciplinary nature of media available within contemporary printmaking, driven by continuing rapid technological developments, invites new dialogues with the reflective practitioner and poses particular questions for the artist interested in exploring their ideas through the issues and potential of print.
Printmaking is committed to the development of the creative practitioner within a broad definition of the subject that is essentially open to challenge and individual interpretation. The programmes of study are designed to place the practice of printmaking in both a contemporary critical context and in a wide historical perspective. The acquisition and development of technical skills, critical thinking, contextual and professional knowledge are seen as interdependent elements and students are encouraged to investigate and reconsider assumptions underlying the applications of autographic processes and new technologies.
Tracy Allen
Title of Image: Guillaume
From the Goodbye Horses Series
What does it mean to be masculine/feminine? Trolling across the Atlantic and back, I found more than willing male participants to indulge in my curious Mangina experiment. My question was, who would be free, honest and open enough to express themselves in this way? The answer... everyone that I thought would say no.
Tracy Allen
MA Printmaking
tracyallen77@yahoo.co.uk
Convolution + Convolutions
Taking emotionally charged situations as my point of departure I attempt to convey these interactions through the construction of abstract poetic gestures. Formal constraints, such as a monochromatic palette and mark making reduced to a line, focus the description on the physicality of the form and its movement in space.
Ludmilla Andrews
MA Printmaking (Part-time)
ludilaak@aol.co.uk
Peter Bennett
My practice explores the process, perception and experience of painting in the digital age. Using processes pioneered for the mass media and advertising, my work strives to strike a discord between the painterly abstracted graphics represented and the actual physicality of the medium chosen for its execution.
Peter Bennett
MA Printmaking (Part-time)
peter_andrew_bennett@hotmail.co.uk
www.peterbennettprints.com
Florence Boyd
Myth and madness are two of the central themes running through Florence's work. Through abstract sequences Florence communicates the transformation of internal feeling into external environments. Taking inspiration from organic and domestic objects, the ideas reveal themselves through conflicting and contrasting forms and obsessive mark making.
Florence Boyd
MA Print
floss_minpin@hotmail.com
Carmel Boylan
My current practice involves digitally photographing found items. The images connect with ideas of journey; raise questions and evoke different feelings about how, what, who, when, why and where you, your belongings, or perhaps someone you know could be lost.
Carmel Boylan
MA Printmaking (Part-time)
carmelboylan@gmail.com
