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Camberwell MA08

MA Graphic Design

At the core of this pathway we challenge the notion that visual communication is a neutral activity only supplying the demands of the market. By studying here, you take issue with the content and the context of your design work. We help you define and develop your own study project, to combine your ideas, experience and interests, and communicate with a particular audience or group of people.

Our students come from around the world, because we critically engage with visual culture as part of a dynamic, global process. Through tutorials, seminars and critiques, the communication of ideas develops a key skill for your professional practice in the future. Celebrating the openness and fluid interaction that characterise the design profession, we welcome creative influences and draw inspiration from other fields including architecture, art, cinema, economics, history, literature, music, philosophy, science and technology.

Presentations, discussion and debate take place in the studio and lecture theatre. But we also go out and use London as an expanded learning environment, with study visits to exhibitions, production facilities and places of creative encounter including public meeting areas, independent coffee bars and music stores. Anticipating your future success, we introduce you to some of the social and professional networks that continue to build the reputation of London as a world leader in the creative industries.

Displaying results 11-13 of 13
Owji, Maryam

Maryam Owji

Communicating political and cultural issues through audio-visual multi-media, by relying on socio-cultural anthropology. Research Question: My aim is to get an insight into how the new generation is expressing their political point of view and explore how visual communication can be used to campaign for an end to military aggression, and a constructive approach to peace building. Believing in uniquely and effortlessly simple, yet conceptually complex in equal measure; poetic, lyrical, meditative and self-reflexive nature.

Maryam Owji
MA Graphic Design
m.owji1@camberwell.arts.ac.uk

Phonglamjiak, Thrissawan

Thrissawan Phonglamjiak

I and U live together in utopia, cut and folded papers
This physical typeface is a part of my research for the Language of Modern Architecture in London. Once folded, the image becomes text. This message is sent in order to re-establish the powerful spirit of inventing, achieving a better quality of life, equality and improved social interactions within an urban society.

Thrissawan Phonglamjiak
MA Graphic Design
nami_kuruguru@yahoo.com

Speight, Daniel

Daniel Speight

The incidental becomes the intentional. Public surfaces are exposed to a multitude of marks in the form of paint spillages, scribbled symbols, and graffiti. As a curator rather than author of these marks, I process this visual information through print practices to reproduce these neglected, overlooked surfaces of our surroundings.

Daniel Speight
MA Graphic Design (Part-time)
speight_d@yahoo.co.uk
Professional Preparation Postgraduate Award
Arts and Humanities Research Council

Displaying results 11-13 of 13